DC ENTERTAINMENT ANNOUNCES FREE COMIC BOOK DAY 2016 OFFERINGS

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Saturday, May 7 is Free Comic Book Day, and DC Entertainment is bringing comic fans hard hitting action and a big dose of “Girl Power” in equal measure! In anticipation of the August 5 big screen debut of Suicide Squad writer Adam Glass and artist Marco Rudy introduce you to the villains that take on the dirtiest jobs in the DC universe with a special edition issue of Suicide Squad  #1, the first chapter of the iconic graphic novel SUICIDE SQUAD VOL. 1: KICKED IN THE TEETH. Then it’s time to “Get Your Cape On” with a sneak peek of the highly anticipated original graphic novel DC SUPER HERO GIRLS: FINALS CRISIS, courtesy of Shea Fontana and Yancey Labat. Retailers worldwide will be providing both of these comics to fans on Free Comic Book Day, Saturday, May 7. 

 

About SUICIDE SQUAD #1 FCBD SPECIAL EDITION 

(Writer) Adam Glass, (Artist) Marco Rudy, (Cover Artist) Ryan Benjamin 

 

Harley Quinn, Deadshot and King Shark lead a lethal team of death-row Super-Villains recruited by the government to take on missions so dangerous – they’re sheer suicide! 

 

Don’t miss this first issue of the hit series before the upcoming major motion picture, SUICIDE SQUAD. 

 

About DC SUPER HERO GIRLS #1 FCBD 2016 SPECIAL EDITION 

(Writer) Shea Fontana, (Artist) Yancey Labat, (Cover Artist) Yancey Labat 

 

Class is in session! Welcome to DC Super Hero High! 

 

DC Super Hero Girls is an exciting new universe of superhero storytelling that builds character and confidence and empowers girls to discover their true potential. 

 

This special FCBD issue features two exciting, action-packed stories from the upcoming original graphic novel DC SUPER HERO GIRLS: FINALS CRISIS that readers of all ages will enjoy. 

 

It’s the day before finals and the student body is hard at work…and nothing is going right! Wonder Woman spars with Cheetah in gym class as Batgirl and Supergirl watch from the sidelines. In the next class, the girls sit next to an empty seat. Where could Supergirl be? 

 

Don’t miss this chance to meet the students as they find out that fun, friendship and hard work are all part of growing up! 

 

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Lets Talk- Truth:The Man Who Sold the World (MGSV)

Despite the knee-jerk reaction of many across the internet, I love it. I think the last few seconds are a little hard to understand, and I think it’s hard to build a complete picture without a little conjecture or some assumptions, but I really enjoy what is going on here. I think this game fits well into the greater thematic arc of Metal Gear and in itself finishes off Big Boss’s story satisfactorily. A lot of people say the ending raises too many questions, but if you grasp from around Metal Gear, I think you can put together a coherent narrative even if the pieces are kind of a mess. Luckily, I spent too much time thinking about this series and am a human Metal Gear encyclopedia.

  
So at the end of the game, you get a tape explaining that you are not Big Boss, but an exact duplicate created by Zero to protect the real Big Boss from his own organization. This scene is really really good, and I love Kiefer’s mocap work when Venom Snake smirks and looks at himself in the mirror with this look of power.

But the last few seconds of this scene are extremely important. When he flips the tape over, there’s a time jump to 1995.

Be perceptive: in the reflection of the mirror, there is a Diamond Dogs emblem on the bathroom door. However, when Venom flips the tape over, that emblem becomes an Outer Heaven logo. What’s the other side of that tape labeled? Operation N313 aka the operation Solid Snake goes on in Metal Gear 1.

  
Venom puts the tape into an MSX and it reads data on a screen, data Venom can see, but we can’t. He then walks over to the mirror again, and in anger punches it. On the other side stands his reflection, which then turns away from us and walks away into darkness. Given that we’re in Outer Heaven in 1995, and you can hear the chaos of gunfire outside, it can be safely assumed that this scene happens immediately before Solid Snake arrives to shoot some rockets at him. He breaks the mirror in rebellion against the mission given to him on that tape, but he accepts it anyways, stoically walking to what will become his death. It’s also important how this is depicted visually; Venom walks away in black, silhouetted against smoke. As he walks, the space around him becomes darker, until finally he disappears completely.

  
I think this scene is important not just for characterizing Venom Snake as he strolls off, but also ties into the game thematically. In a lot of ways, MGSV is about the forgotten people that operate in the background to support the big players. Skullface, XOF, us as the players of these games, and Venom Snake; all of them were used to create the Metal Gear world as we know it, and all of them were lost to time. If the original games are about the titans of the universe, this game is about their shadows. Venom Snake disappears at the end of this game; he is washed away from history. Everyone thinks he was Big Boss, and that is all that is ever known of him. He quite literally disappears.

Many people upon seeing the ending assume Venom Snake built Outer Heaven, but this isn’t true. At the hospital in Cyprus, Ocelot gives Big Boss a new passport with a new name on it. This is Big Boss’s new identity while Venom Snake is Big Boss; the name on that passport is whatever you make it during the character creator, but for the sake of simplicity here, let’s just say the name is Steve. Venom Snake, aka the medic, unwittingly gets Big Boss’s identity and makes Diamond Dogs and the events of MGSV happen as we see them. During this time, Big Boss is under the name Steve and is building Outer Heaven in South Africa.

But wait, it says that Solid Snake kills Venom Snake in Outer Heaven!?

  
Yes, but the credits also say Big Boss built Outer Heaven. Notice how the credits refer to real Big Boss as Big Boss exclusively; they refer to Venom Snake as Big Boss’s Phantom, never just Big Boss. There’s also a discussion after the credits between Kaz and Ocelot about this.

But then what the heck is Venom Snake doing there in Metal Gear 1?

Venom Snake was originally created to be a decoy for Big Boss so that he may live when the whole world wants him dead. Sometime during the events of MGSV, Big Boss realizes another purpose Venom can be used for: he and Big Boss can work together to build Big Boss’s legend and achieve his ideological goals. 

Many people thought that Big Boss’s turn was going to happen in this game, that we would finally see what made him turn to villainy. But Metal Gear is never so black and white, and in reality, Big Boss’s turn was more subtle, and actually happened in Peace Walker.

It further details Big Boss’s fall and shows us everything we ever needed to know about him. While in a coma, Zero comissions a memetic clone of Big Boss. The parallels between Les Enfants Terribles and the creation of Venom Snake are obvious. When Zero did this the first time, Big Boss was disgusted and rejected it. But what did Big Boss do this time? He embraced it, he embraced the cult of personality, he embraced the legend. After MSF was obliterated in Ground Zeroes, Big Boss realized that in order to achieve his sweeping dreams, he had to work from the shadows, even if that meant tying the noose around someone else’s neck.

Venom Snake builds Diamond Dogs and eliminates XOF as a threat. It is now that Big Boss lets him in on the whole ruse and opens up an avenue of partnership.

This is the point where conjecture begins

So what we know is that Big Boss is again under the Big Boss identity by the time of MG1; everyone knows him as Big Boss, leader of FOXHOUND, while no one knows who is commanding Outer Heaven. As I said before, Big Boss is building Outer Heaven during MGSV, and as such, Diamond Dogs cannot be Outer Heaven. Everyone in Diamond Dogs (Kaz, Ocelot, Big Boss) eventually ends up in FOXHOUND. What this tells me is that at some point shortly after MGSV ends, Big Boss and Venom Snake switch identities again; Big Boss resumes the title of Big Boss while Venom Snake resumes the Steve alias and takes over as head of Outer Heaven. That’s how everyone knows Big Boss is the CO of FOXHOUND, but nobody knows who is leading Outer Heaven in MG1.

  
It is known that to Zero, and ultimately the Patriots, having Big Boss return to them is favorable to having him killed. So then it makes sense that Big Boss returns to them with Diamond Dogs, Kaz, and Ocelot. He again becomes leader of FOXHOUND, finds Sniper Wolf and Gray Fox, and trains Solid Snake.

But why? Why would Big Boss go back to the US/Cipher/the Patriots?

So that he and Venom can play the field from both sides. He communicates to Venom Snake through cassette tape, and later through MSX tape.

Ok, so what happened in MG1? Why would Big Boss have Solid Snake kill Venom Snake?

This isn’t, and never will be, clear to a concrete extent. Because Kojima is gone, all we can ever do is try to build a complete picture from what is, at best, ambiguous information. I’m basically trying to explain character motivations and such using nothing but the last 10 minutes of Phantom Pain, the paper thin plot of a 30 year old MSX game, and the thematic undercurrents of the MGS saga.

But this is my theory, and I’m sticking to it.

It can be safely assumed that whatever is on that N313 tape, Venom doesn’t like it. He reads the info and immediately destroys a mirror in rage because he has lost everything (his sanity, love interest, comrades, and identity) and he saw what he became. That does not sound to me like the reaction of a happy man. Given the info we have, it can be reasonably assumed that Big Boss and Venom communicate through those cassette tapes; it can also be reasonably assumed that towards the end of Metal Gear 1, Venom Snake becomes aware of the fact that Solid Snake is coming to kill him and tries to sabotage that operation. During the game, your CO is Big Boss. He’s basically the Campbell of Metal Gear 1; he gives you hints and suggestions on what to do. But suddenly, towards the end of the game, Big Boss contacts you on a new frequency and begins giving you bogus advice to try and sabotage your mission.

Real Big Boss’s frequency: 120.85

  
Venom Snake’s frequency: 120.13

  
This second Big Boss on the new frequency is Venom Snake trying to stall Solid Snake’s mission. Now, what we see in MG1 is that the entire time, Big Boss is helpful in assisting Solid Snake in his mission to destroy the Metal Gear TX-55 and Outer Heaven. We also know that Venom Snake contacts Solid and tries to stop the mission. If Big Boss didn’t want Solid to kill Venom, he would have also worked to stop the mission, not assisted the whole time.

It isn’t clear, and it will never be clear, what Big Boss’s grand plan was for Operation Intrude N313 (AKA the Outer Heaven Uprising). As it stands in canon now, he expected Solid Snake to fail. Given the new information about Venom Snake, his motivations become even more nebulous. It was established in early canon that Big Boss sent Solid Snake to Outer Heaven to die. We will continue accepting that this is true since there is nothing that directly contradicts it.

What we also know is that around the time of the mission, Venom Snake gets a tape labeled N313 from Big Boss. This tape likely contains information from Big Boss about this mission, and maybe some orders for Venom Snake as well. After seeing the tape, Venom punches the mirror. Then we have that shot that immediately follows it: he stoically walks into oblivion, accepting his fate.

It is also unclear if the Outer Heaven uprising was Big Boss’s or Venom Snake’s plan. Again, in canon it is Big Boss’s, and at this time nothing directly contradicts that information. The Uprising was the end goal of Big Boss’s dream, the final result of Outer Heaven. It was an outright war against the Patriots, and Venom Snake goes along with Big Boss’s orders to start it.

The Patriots react to this by sending Solid Snake into Outer Heaven to kill its mysterious leader. Big Boss commands him throughout that mission because he is under cover and doesn’t want his cover blown. He hopes that his Uprising will be successful in not just killing Solid Snake, but also in challenging the grip of the Patriots.

However, there is one other favorable outcome. If all goes wrong, Venom Snake can still fulfill his duty as Big Boss’s doppleganger. If Venom is able to convince Solid Snake that he is the real Big Boss, and gets killed by Solid Snake, then the real Big Boss can use this to fake his own death and go underground to establish Zanzibar Land, aka Outer Heaven 2.0.

I believe that tape contained a general outline of Solid Snake’s mission, which is how Venom was able to mislead him on the radio. I also believe it contained instructions from Big Boss for Venom to convince everyone that he is actually the real Big Boss so that if he dies in Outer Heaven, Big Boss can still work in secret to achieve his true dream. This order is what makes Venom furious, what makes him punch that mirror: he was in many ways given the same mission as the Boss. If he cannot defeat Solid Snake, he must die. He must sacrifice himself so that Big Boss can carry on with his plans. He has to give up his identity, his face, his emotions, his ideology, his life; all of it to Big Boss. No one will ever know who he was, no one will ever know what he did. He will go down in history as a criminal, as a monster who instigated an armed uprising and almost brought the world to nuclear disaster.

And Venom accepts his mission. He convinces Solid Snake that he is the real Big Boss by feeding that information to Gray Fox and then by telling Snake himself. He gives killing Solid Snake an honest shot, but he also makes sure that if he goes down, everyone thinks it is Big Boss who went down.

The Man Who Sold The World Meaning

The song ‘Man Who Sold the world’ was a single by David Bowie way back in November 1970, and it was covered by nirvana and released in 1994. 

around that time of releasing the song, Bowie was a closet heterosexual but he was a bisexual ( wife once told he had an affair with mick jagger), it is this inner conflict – he created an alter ego called ziggy stardust an androgynous rock star who spoke with aliens.  

So the song is something David Bowie used to be (Ziggy stardust) and he seeing himself as people do ( Bowie) and convincing himself he has changed. The conversation with his alter ego is clear when Bowie Says in the lyrics that I thought you died alone and oh no not me we never lost control ( we never is the bisexual in him) ziggy talking back oh not me I never lost control.

The man who sold the world is the image that is Bowie has sold to the world, and his search foreign land and years to roam is his inner journey to find his identity. 

So for this case, Big Boss is the man who sold the world and Venom Snake is nothing more than an phantom/body double of big boss no matter how legendary “he” is, he is not the real “legend”. 

follow me on twitter @julianexcalibur

IDW Explores Alternate Timelines In ‘Deviations’!

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IDW Explores Alternate Timelines In ‘Deviations’!

The Five-Week Event Arrives In March
 

San Diego, CA (December 14, 2015) – In a world where the Ghostbusters never crossed streams to save New York… In a world where Shredder was the Teenage Mutant Ninja Turtles’ sensei… In a world where all your expectations are turned upside down—welcome to the world of Deviations, a weekly event series featuring alternate takes on some of IDW’s most popular books!
 
Starting with the Ghostbusters, readers will be taken to alternate realities of some of the most iconic heroes in comics with weekly one-shots that each highlight a different series. G.I. JOE will follow in the second week, exploring what would happen if COBRA finally won. TheTRANSFORMERS comes next, looking at what the implications would be if OPTIMUS PRIME never died! Then, in X-Files Deviations, having been abducted by aliens, Fox Mulder never returned… and finally, the Teenage Mutant Ninja Turtles one-shot will round out the event.
 
“When one moment changes,” said Chris Ryall, IDW Editor in Chief, “whole universes alter forever. We’re asking the questions fans have been pondering for years—and now we’ll see some answers.”

Both new and familiar faces will make their mark on this warped series as newcomers to the titles join fan-favorite creators!

 In Ghostbusters Deviations, 
Kelly Thompson(Jem and the Holograms) teams up with artistNelson Daniel (Judge Dredd). Paul Allor returns to G.I. Joe, with artwork by Corey Lewis(Sharknife). TRANSFORMERS Deviationswelcomes Brandon Easton(Andre the Giant: Closer to Heaven) alongside Transformers: Robots in Disguise artist Priscilla TramontanoAmy Chu (Sensation Comics: Wonder Woman) explores The X-Files alongside Elena Casagrande (Doctor Who) andSilvia Califano (The X-Files: Season 10) on art. Finally Tom Waltz (Teenage Mutant Ninja Turtles) leads Zach Howard (Wild Blue Yonder) into the sewers for the TMNT Deviations
Look for all five Deviations in your comic shop and online every week in March!
 

TMNT: Dimension X Mozar Wal-Mart exclusive by Playmates

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Teenage mutant ninja turtles
Dimension X
Mozar Wal-Mart exclusive
By
Playmates

Here is our review of this Wall Mart exclusive, big thanks to Playmates for the review sample.

Follow Playmates on

FB: https://www.facebook.com/TMNTPlay

Twitter: https://twitter.com/PlaymatesToys

Instagram: https://instagram.com/tmntplay

YouTube: https://www.youtube.com/user/TMNTToys

Website: http://www.playmatestoys.com/

 

PATSY WALKER, A.K.A HELLCAT! #1– This December the Cat is out of the Bag with Marvel’s Latest Female-led Series!

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New York, NY — September 10th, 2015 —This December, Hellcat makes the leap from fan-favorite guest star to fan-favorite headliner in PATSY WALKER, A.K.A. HELLCAT!

 

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Written by Kate Leth (Adventure Time) and with art by Brittney Williams (Lumberjanes), PATSY WALKER, A.K.A. HELLCAT!  will spotlight this modern-day superhero who refuses to say NO to any adventure even if it does prove to be more than what she can handle.

 

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“I want to continue the thread of her being the kind of girl who calls you up out of the blue and you always say yes, because it’s an adventure,” says Leth.  “She’s a super hero martial-arts wiz that can sense mystical energy! She learned how to fight on the moon, so you KNOW she’s good at what she does and has the history to back it up.”

 

Beginning her heroic career with the Avengers and then becoming a core member of the Defenders, Hellcat’s new series will be inviting readers into a no-nonsense journey following this kick-ass super hero as she tries to make a name for herself alongside some of the most powerful Marvel heroines around.

 

“With this series, Kate and Brittney are going to provide a unique spin on the super hero, providing readers with a Patsy Walker who is both supremely relatable and supremely awesome,” says editor Wil Moss. “And look for guest appearances by all of Marvel’s top female heroes, including She-Hulk, Kate Bishop, Captain Marvel and maybe even the Unbeatable Squirrel Girl!”

 

This December, Patsy Walker plans to claw her way to the top no matter what it takes! Be here for this brand new, action-packed series as this feline femme fatale reestablishes herself among Marvel’s mightiest within in the pages of PATSY WALKER, A.K.A. HELLCAT!  

 

PATSY WALKER, A.K.A. HELLCAT #1

Written by KATE LETH

Art & Cover by BRITTNEY WILLIAMS
Variant Cover by GEORGE PEREZ

On Sale in December!

 

SECRET WARS #9! The Biggest Marvel Story of All Time Just Got Bigger!

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New York, NY—August 26th, 2015 — It’s the story that has the whole world on the edge of its seat. The biggest Marvel event of all time. The story that destroyed the Marvel Universe. And if you thought it couldn’t get bigger – you thought wrong. Today Marvel is pleased to announce the expansion of the blockbuster Secret Wars event with SECRET WARS #9– coming to comic shops later this year!

“Apparently, Secret Wars is even bigger than we thought it was,” says Editor-in-Chief Axel Alonso. “To help Jonathan and Esad conclude this epic event as big and bombastically as it started, we are adding an extra issue.  That means one more month of the suspense, action and game-changing storytelling that fans and retailers have been clamoring for since the final incursion started.”

Chartbusting creators Jonathan Hickman and Esad Ribic will extend their stay on Battleworld for one more epic issue. Allowing their cataclysmic story to wrap up as intended, this additional issue will bring Secret Wars to its explosive conclusion. Paving the way for the future, be there for the genesis of the All-New, All-Different Marvel Universe.

 

“This extra issue will not affect any of the new launches as part of All-New, All-Different Marvel,“ says David Gabriel, Marvel SVP Sales & Marketing. “But there might be a surprise or two left over from Battleworld you weren’t expecting. In fact, like the original Marvel Super Heroes Secret Wars, some of those puzzle pieces will hit the Marvel Universe before the event concludes. But if you want to see how they all fit together, you don’t want to miss these last few issues.

 

Battleworld teeters on the brink. What will become of this strange patchwork planet? Who lives? Who dies? One thing is for certain – nobody will come back from Battleworld the same after SECRET WARS #9 this December!

 

SECRET WARS #9
Written by JONATHAN HICKMAN
Art by ESAD RIBIC
Cover by ALEX ROSS
On Sale in December!

Moon Girl and Devil Dinosaur: The Ever Expanding Marvel Universe

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Marvel “Now” is not just a catchphrase, it is a whole company-wide campaign to make Marvel more than just relevant, to bring them back to being hip and new.

*The word “relevant” will be used a lot in this piece.

This is no small feat, Marvel Comics has been around for a better part of 75 years. Personally, having history only secures how important your books and how relevant your heroes have become ingrained in pop culture.

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If you constantly change your heroes due to gender, race,costume design or sexual orientation with little regard to their cultural and iconic status, you are doing them a great disservice. Or, instead of just making a topical solution (i.e. gender or racial swap), maybe make said hero more relevant to those communities.

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Captain America represents everyone regardless of his color, belief or gender. He is iconic for his ideals, not his costume. Changing him, killing him or aging him is short term sensationalism and used to drag the non-pop culture media into doing a quip or a quick write up report.  It will have no lasting effect on anything.

(News clippings from the death of Superman)

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*I do love Falcon as Captain America, but they didn’t just make him become Cap, he still retains what made him who he is as the Falcon.

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Sam Wilson wasn’t a sidekick, he was Captain America’s best friend and partner.

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See, when I say these things like Marvel needs to make NEW and interesting female leads, not just turn them into a female version. as a former (would be) comics writer, an editor and as a fan. Don’t just go, “Hey look at us! Being hip and topical…”

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Marvel, and especially their “rival,” DC, have done it again and again. But, this time, Marvel with “Moon Girl and Devil Dinosaur” (in what I thought was going to be another “let’s change things just because”) looks like it is shaping up to be something refreshing.  Unlike the past incarnations, I wholeheartedly feel and believe this will and can be something great. So far, it doesn’t look or feel like just a female version of the 70’s comic book.

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I can dig this title only because it isn’t a title that benefited anyone back in the day. Devil Dinosaur was a silly, unique, and mostly, short lived title and adding a female lead can make this very obscure book popular and, hopefully, make it fresh and exciting.

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See? I can be progressive.

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I just want Marvel to make new and great female heroes

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without riding the coattails of their past heroes. Moon Girl looks to be something worth picking up. I am already in love with the cover art and concept designs.

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Here’s to hoping for the best!

Lo Pan Enchants August PREVIEWS

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Lo Pan Enchants August PREVIEWS

(BALTIMORE, MD) – (August 13, 2015)-Create a little trouble with the PREVIEWS exclusive glow-in-the-dark Ghost Lo Pan ReAction figure by Funko and Super7. Fans of the film Big Trouble in Little China can get their hands on the villain Lo Pan and watch him cast some magic as he glows in the dark! The figure is available to pre-order from the August PREVIEWS catalog and will be available to purchase from comic book specialty shops in mid-September.  

Wearing his black robe and headdress, Lo Pan is artfully rendered in this 3 ¾ inch figure, giving off a magical blue glimmer from his eyes, face, and hands—the figure even has Lo Pan’s trademark elongated finger nails! Fans of John Carpenter’s hilarious fantasy action film can also collect the other characters in the Big Trouble line, including Jack Burton, Gracie Law and Lightning.

Funko’s ReAction line of fully-posable figures are reminiscent of the immensely popular Kenner action figures from the 1970’s and 80’s. Featuring vintage-styled blister card packaging, fans can collect criminal kingpin David Lo Pan in his ghostly form exclusively through PREVIEWS.

This unique Lo Pan figure can be purchased for $10.99 using item code AUG152463 at your local comic book shop. Find a local comic shop at www.comicshoplocator.com.